What happened to Aham and its derivatives in Marathi? . Does With(NoLock) help with query performance? ISO 1600 film is not the right choice for shooting on a sunny day. For such high ISOs you probably want an with a density of 5 or 6 stops. Correct me if Im wrong (not unknown), but shooting an ISO 800 film at EI1200 is underexposing the film and not overexposing. The proprietary, advanced Dye Layering Technology (DLT) provides noticeably reduced grain in shadows, allowing you to pull out an amazing amount of shadow detail. Keep this in mind when shooting outdoors on a sunny day. Yeah, certainly start at box speed. The same is true in reverse. It would probably have to be a variable one when I'm shooting mixed scenes/lighting, so I will look for that. This is simply done by setting your metering to act as if its 1-2 stops higher than the 800 speed. Archived post. The software can then use those reference points to automatically colour correct your image. Woah. Ive also over and underexposed it a little bit, just to see how well it would respond. When shooting at a high ISO, get the exposure right. I only started shooting Portra 800 last year, when looking for more speed for underwater photography, but expanded the use shortly after that. A difference of 1 in E V corresponds to 1 "stop" (+1 stop = 2 x . In this video, I test Cinestill 800T for the first time in three different enviroments. These were all metered either Sunny-16, or on a couple of occasions with the help of my iPhone as a light meter. I have just bought a few rolls of the 800 though as I was looking for a little more versatility. With a 400 ISO film, you could take hand-held pictures at 1/8th@f/2.8 free hand. Choosing a low ISO setting, say less than 400, is best when there's a lot of light or when you have a tripod and the style of photograph you want to make allows you to use a long exposure. (Funnily enough, after reading your comment I read the bit where you quoted me as saying 1200 a couple of times. To learn more, see our tips on writing great answers. Rain - ISO 800. Its fine grain, high contrast. If a law is new but its interpretation is vague, can the courts directly ask the drafters the intent and official interpretation of their law? An old 500mm lens requires 1/500s or shorter to make that work. But generally it's said that 400 or lower is useless indoors, and you should go with 800 or up. Thanks. Cinestill 800T photos are synonymous with the nighttime, and wed expect nothing less! You can use Kodak Vision 500T or 250D its improved Portra. Ive shot a number of rolls of Portra 800, but they have all been 35mm, all processed the same way by AG Photo Lab, then scanned with my Noritsu LS1100 and post-processed in Lightroom by me, to my eye. And again, I suppose I could (guess and) adapt using the exposure-adjustment as conditions change, much like I did on digital cameras. Neon lights are very easy to shoot. The 28-70 lens was a little lower-contrast and not quite as high resolution as a lot of the lenses I normally shoot. Taking care of colour casts, in this case, can be done using. An ND (or several) will make your project more manageable. Privacy Policy. Portra 400 is well known to be a film that allows for significant levels of overexposure and it still be quite correctable. I was thinking of shooting it at 400, or even 200. Let us know in the comments below and tag us in your Cinestill pics on Instagram @gridfiti. CineStill 800 Tungsten is the ultimate low light film for your film camera! window.__mirage2 = {petok:"k4RWgDbFvbNk8qz6zetNO.HksqXvh2SvW1GnJRb5vTw-1800-0"}; I only shot two or three rolls have a couple in the fridge but I think its a waste of time. Colour temperature is used to define and measure various light sources colours on the spectrum from red to blue. Also, 400 is a good general purpose film. I often create a new layer with pure white and pure black swatches of colour to help me quickly reference how those tones ought to look in the end. purchases using the links above so that this website may get a small percentage of that sale at no extra charge for you thanks. I don't know if that makes it an extremely different story, because I take it the lighting stays the same principle. in front of your cameras lens is arguably the best way to shoot CineStill 800T in daylight. A variable neutral density filter (or variable ND filter) can help fix that! ISO 400 film has long been marketed for indoor use. As it turns out it is at least fairly happy with overexposure. You can pick up some on Amazon here: Kodak Portra 800 in 35mm and Kodak Portra 800 in 120. Fast speed film will result in the grainiest photographs but is great to use when shooting fast-moving subjects in low light conditions. Human vision can recognize a sheet of paper as white regardless of the colour of light that falls on it. ISO controls the amount of light your camera lets in, and therefore how dark or light your photos will be. The results proved conclusively to me that those sorts of feelings were ill-founded. Shooting CineStill 800T in daylight with and without 85C warming filter: an experiment. 2. He reviews it. It definitely says 200 though). There are a couple ways to cut down on exposure and create a warmer image with more accurate color when shooting this stock in daylight. Boasted to be the world's sharpest and finest grain color film! A bit underexposed, true, but amazing. Fast Film Speed - ISO 800 and Above. Want more tips on Cinestill and film photography? Thanks. To get the more saturated colours from Portra 400, Ive always found I need to overexpose it a bit or that I need to push the colour more in post. It seems like a hard film to learn, way more finicky that the old Fuji stuff I used to shoot was (but it say that without shooting heaps more would be bad) I have a idea; Ektar 100 is now the film for people want to shoot E6. I scanned the test roll with PrimeFilm XAs using the digital negative technique that ensured no unexpected automatic colour adjustments on top of the scanner data. But generally it's said that 400 or lower is useless indoors, and you should go with 800 or up. Number of Exposures: 27. Photography light calculator. document.getElementById("ak_js_1").setAttribute("value",(new Date()).getTime()); This site uses Akismet to reduce spam. Yes, of course. CineStill 800T shot on Vitessa A. Im not sure why, but I expected Portra 800 to be lower saturation than Porta 400, but that didnt seem to be the case at all. //